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hchano:

metawohoo:

There is currently a content creator blackout in my fandom, and seeing all those posts about art theft brought back some memories.

(Go and read @hchano​‘s brilliant post, by the way. I’d have replied to it but then my reply turned into a novella.)

The art theft stories resonate with me, you have no idea.

You know, if someone was to check my ‘rules’ pages right now, they’d see this:

Fanart: 
I don’t care about reposts, don’t worry if you spot my drawings somewhere else

Now, it might look like I’m super chill about this. That I’m not ‘whining’ like those artists who ‘care too much, it’s just drawings’.

The truth is I don’t care because I haven’t posted an artwork I gave a fuck about since 2011. I do not want to bother with that. It’s thankless. It’s an endless source of stress and discouragement. Why would I spend effort and time when I know the end result is that I’ll be – for lack of a better term – pissed on by entitled jackasses and by thieves?

Story time.

I used to run a flash minigames website. It didn’t have much content, since I had to draw it all myself, and figure out how actionscript worked, and so on. Still, I put ads on that website, and not only did it pay for itself, it brought me a tiny bit of income too! For my own content that I had made myself, just imagine! I planned to make that little site grow and grow until it could support me and drag me out of the hell that is unemployment.

It’d see cute stories on Stumbleupon by parents who said their toddler had loved the games. That made me super happy. It was real nice for a while.

And then I got an email from a girl in Israel telling me she had seen my art sold as coloring books in her area.

That was a blow.

I mean, I’m literally an artist by trade. I have a diploma to prove it and all. I’d have loved to get paid for my art, seeing how I couldn’t fucking find a job using those skills that were apparently good enough for commercial use.

But I kept the site up for a little while, as well as my profiles on art websites, though I barely updated them. I’d ignore the thieves that sold IMVU stuff with my art on it. I’d pay no mind to the brats who sold it on Gaia Online, because it was just virtual coin. I tried to ignore the fact that some of my stuff got popular under someone else’s name.

Just drawings, right?

Anyway, my flash games could be stolen. Actually, in the general sense, it was pretty much the goal. There was my website’s logo on them, a direct link. Having them redistributed meant traffic coming back to my site, and advertising income for me.

Can you see where this is going?

Back then, there was a flash game monetization network, called MochiAds. It was cool. It allowed you to insert ads into your games, and a great many flash games websites would import MochiAds’ feed, which made for a fast and widespread distribution of the games. It was a neat service.

Except someone decompiled my games, replaced my logo by theirs, inserted ads inside them and published them as their own.

Within hours, you could google the new names the thief had given to my games, and get 500.0000 results. Accounting for all of my games, that made for millions of reposts, all of them defaced, linking to the thief’s website, monetized by them.

Of course, MochiMedia responded quickly when I reported the theft, but their disabling the ads on those games didn’t remove them from the thousands of independent websites they were posted on.

I never made another flash game.

As a matter of fact, I no longer draw.

I was never in it just for the fun. I wanted the rewards. I wanted to make art my full-time job. Hell, I went to school for that. I wanted the compensation for my effort and time. I wanted my website to grow from the ‘sustains itself’ to ‘sustains me’ size.

And then I realized that people could snap their fingers and steal it all. Make me look like I had plagiarized my own work. Bury me in stolen content.

I learned that, on the internet, there was no point giving your heart and soul to something you can’t nail in place.

And, more than anything, I learned to hate drawing.

But, hey! Look at the bright side! Now that I gave up on drawing, nobody will steal my art anymore!

Isn’t that great? 🙂

shit like this is why i can’t stand it when people say art theft isn’t a big deal, because it is a big deal. it’s emotionally draining. 

and guess what, our emotional state is directly tied to our inspiration. so if we feel fucking threatened in the one safe place we go to when emotionally wrecked, chances are we will not want to go there anymore. we will not draw. not because we don’t want to, but because we physically can’t.

professorpineapple:

professorpineapple:

“you’re an art model does that mean you’re NAKED?”
“yeah”
“whoa….those lucky artists ;)”

…buddy.

idk who started the idea that life drawing classes have anything sexy going on like. there’s at least ten people in the room and we’re all tired and covered in charcoal.

the dude in front who’s staring at my boobs has been trying to get the shading right for 10 minutes. he’s almost out of paint. he is crying.

miyajimamizy:

elvirasteckningar:

Drawing basic facial expressions is not the hardest. Most people can draw a sad face, a happy face, angry etc., but making more multidimensional expressions is more of a challenge. I have gotten a lot of compliments on how I draw facial expressions, (specifically “angsty ones”) telling me that they are very dramatic and well… expressive! And there are actually only a few things I think about when I draw faces that take them to the next level, so I thought i’d illustrate them all here!

SUPER IMPORTANT TIP BEFORE WE START: Look at your own face when you draw faces. Even making the face when you are drawing (you don’t even have to look at it), will give you some sense of how the face muscles pull and where things fold and stretch, because you can feel it. You are the best reference when it comes to facial expressions!

Angles 

Draw the head in an angle that matches the expressions you want to make. It is not a requirement, but is going to add to the effect.

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Symmetry vs asymmetry 

A face is rarely symmetric. Unless the face the character is making is 100 % relaxed or even dissociating, the eyebrows, mouth and facial muscles will have different placements of their respective side. This image shows the dramatic impact asymmetry has on a face: 

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That’s the difference between a smile and a smirk!

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The first one’s like “oh yeah?” and the second is like “oH YEAH??”

The “balloon squishing principle”

This is something I did subconsciously, and I didn’t know about until I made this tutorial. And this principle goes hand in hand with an asymmetric face. Basically, if you squish one part of the face, you need to even out the empty space by “inflating” the other part of the face so that it doesn’t appear shrunken. The picture hopefully explains it:

Teeth 

Don’t forget to add the gum when the mouth is open to its full potential!

image

Squinting and folding

Adding folds around the eyes when a character is squinting makes a HUGE difference. It makes a smile more genuine and a growl more intimidating. Adding folds to the face in general makes your characters more lifelike and ‘visually relatable’. Like, they look human, and less plastic or fake.

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and so on..

Pupils and irises 

The placement of the iris and pupil in relation to the eyelids is very important! The less of the white you see, the more relaxed the character is. 

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And then of course eyebrows and eyes go hand in hand!

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Gestures, spitting, sweating… 

Adding more elements than just a face is key to making the character actually look like they are feeling what you want them to feel. Just the tiniest sweat drop adds to their anxiety, spitting adds frustration to their rage, slouching shoulders, waving hands, a double chin, extreme angles, the list goes on! Add whatever and see what kind of impact it makes! Does it do the trick? Great! Add it! 

Over exaggeration!! 

Remember that you can almost always exaggerate more. Don’t be afraid to do draw “too much” because you’re just experimenting. See what works and what doesn’t. What do you like to exaggerate?

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Now that you know some theory, it’s time to practice!

Practicing!! 

The 25 Essential Expressions (a classic! I’ve done it multiple times)

And the one I do when I’m bored:

Fill a page with circles and fill them in with different expressions. Try and exaggerate as much as you can! 

This is mostly for experimenting. They are quicker to draw than complete faces, but the same rules should apply!

And that’s about it!

I don’t know if I covered everything in this tutorial, since some things might be obvious for me, and this post perhaps only scratches the surface. So feel free to send me a message if you want an explanation about something more in depth! Thank you for reading! And now DRAW!!! ✨🎨

👏👏👏

keiid:

keiid:

keiid-deactivated20181203:

IT’S LIKE MY FAVOURITE HEADCANON ACTUALLY!! 

And I know I’ve already posted this but I’m just shook of how alike they are…..

Not only psychologically but physically too.

image

And I know that Aizawa is only 30………. But I just love these two.  

They have so much in common and I seriously want Aizawa to become at least his mentor ( Like All might with Midoriya )

let me dream

Tumblr agrees with me.

Alright alright…….. My last clue…

Guess who rub their neck too?

And they have a mutual love of cats? Hah hah. Could be an older sister in the Aizawa family. That would also explain the different surnames. And then he can be weird Uncle Shouta.

ray-kaladis:

marshyoftheblobs:

scotchtapeofficial:

gaymermell:

i know beginner artists are annoyed at the word ‘practice’ being thrown at them by every other artist but i honestly think some of you need to understand the harsh truth. practice is really the only way to improve your art. there are no shortcuts, no tips, no nothing that can turn you into that artist you wanna be. i’m still learning but i knew that frustration well a few months ago. but i had to learn the hard way that i wasn’t going anywhere if i didn’t work.
you 👏will👏not👏get👏better👏with👏out👏practice👏 !!!!
you will not magically turn into a ‘good’ artist overnight. start working. look up references. study anatomy. practice poses and expressions. PRACTISE

You gotta set goals when practicing. Say if you wanna draw the world’s nicest ass then you gotta draw 10,000 asses. Keep going until drawing asses is part of your muscle memory. Art is a skill, and like with all skills you gotta practice, but practice smart.

100% agree with that last statement.