- If the sun is up return to bed and wait until nighttime. There are not enough hours in the night to spend them sleeping. Once it is dark you can be all Dante Rossetti about it and stroll about some darkened woodland or else lay amongst Chinese patterned pillows in the nude reading Marcel Proust.
- In fact do a great many things naked. Or if you insist do them naked under a silk robe which trails after you as you stalk the halls of your estate.
- And since everyone is fated to die anyway smoke cigarettes while you can. Be blasé about death in general. Or lament it constantly – incessantly – until all who know you associate it with your presence. That is what being a Romantic is all about.
- And in the spirit of Byron take such bad care of yourself – by eating badly and drinking copiously – that you might at any moment pass into that lamented great beyond. The best ways to die are in a battle or in a Revolution as well as from sloth – simply laying about wasting away transfixed by a beautiful painting or the memory of a lost lover – or finally simply succumbing to an illness procured from exposure to the harsh elements of nature. The last is the most probable since you will often find yourself standing on mountaintops above mist-laden seascapes shouting Nietzschean quotes into the frosty air and heralding your own impending doom in the process.
- Read many books. Watch Orlando by Sally Potter for immortal style tips.
- Become a sensual creature (as opposed to a sexually satisfied one) so that you may either conquer a harmen of lovers wherein you can loose yourself for hours on end in a kind of Delta of Venus scenario or else live as an Dionysian hermit finding solace entirely in literature, flowers and moonlight.
- Be not strictly woman or man but rather an amalgamation of femininity and masculinity. Embrace bisexuality.
- Keep strange pets. Anything besides a dog or cat or gerbil. Or if you must have a dog then choose a Borzoi or Wolf Hound. And if you must procure a cat then name it Lassitude or Nothing as Jean Paul Sartre did. Raise peacocks and keep a menagerie of exotic fauna and flora in an otherwise overgrown rose garden.
- Half of what you say ought to be a quote by John Milton, Dante Alighieri, William Shakespeare or Oscar Wilde. Either that or nothing. If you are not reciting – either the work of others or your own – then be quiet. Observe and consider, but rarely speak.
- Drink red wine. And white wine. And champagne. Do not however drink vodka unless you find yourself in the Russian Winter Palace filial roaming pale and crazy-eyed down halls with a fur coat whipping behind you and a novel by Tolstoy in your pocket.
- Life is a feast. Eat oysters for breakfast and decorate your dinner table – and the food itself – with flowers. Hannibal is the go to cooking program for culinary flair.
- In fact Hannibal ought to be the only tv show you watch besides Penny Dreadful.
- Wear chokers. All your jewelry ought to be heirlooms.
- Keep a much younger lover – if you are a woman – or a much older one – if you are a man – and have them rip the choker from your pale neck as you fall together in a passionate throw onto a 17th century ottoman.
- Dress in shrouds of velvet and silk.
- Stay out of the sun.
- A moushe – a painted-on beauty mark – is entirely appropriate, as is a Jacobin ruff.
- From now on sex shall be referred to as Making Cattleya.
- Appropriate venues for socializing are cafés which do not play music or serve cappuccinos, theaters built before 1960 and opera houses not built after 1930. Jazz clubs which refrain from fusion or acid. Libraries and old cinemas in general. Family estates and parental mansions, abandoned houses in the country side, churches and cemeteries, woodland openings and castle lawns, museums and – of course – small apartments where you can sit on the floor smoke cigarettes and discuss the collective sense of ennui you share with your friends.
- Inappropriate venues are shopping malls, franchise coffee shops and anywhere where reading a novel or smoking might seem out of place. In fact stay clear of any place built after 1980. Avoid food courts, gyms, sports or hotel bars and clubs with more than one dance floor as the plague.
- Refer to your circle of friends as your Family. Be religiously devote and romantically involved with them. When it comes to your actually family a cool somewhat distanced relationship is the most appropriate. Or if so inclined consider a more obsessive cloistering constellation that will inevitably lead to rumors of past inbreeding – the French aristocratic kind – and scandal. Refer to your parents by their first name or not at all and thus have them remain an elusive periphery to your life.
- Instead declare Richard Wagner as your emergency contact.
- Descend stairwells slowly.
- Express yourself through Greek axioms and lyrical poetry or lingering secretive stares. Consider perfume as a means of communication.
- Remember that the only respectable means of transport are the Oriental Express, steamships across the Atlantic or long boats along the Nile. You may also travel by foot if you do so in a languid fashion. As far as tourism goes the primary vehicle of experience ought to be stargazing and kissing.
- Consider yourself eternal
- And eternity meaningless.
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Gambit: Truth or dare?
Cyclops: Truth.
Gambit: What’s your credit card number?
Shout out to all your internet friends who are gone.
Those messenger screen names that haven’t logged on in ages, some before detailed profiles were a thing on those services.
Those emails that are long since abandoned, some with domains that no longer exist.
Those online friends you knew years ago and who then helped shaped you in some way, who you just can’t FIND anymore.
Those people who once were, and hopefully still exist IRL, that seem to have no known internet life anymore.
And those who have actually passed on, and their online lives are now a memorial to them.
I miss you all. I hope life is/was kind to you, and maybe one day, we’ll somehow connect again.
aw. thanks for the nice comments, folks 🙂
me: oh yeah i’m a comic fan!! i love comics!!!
me: *is six months behind on comics, missed my fave character’s death, doesn’t know who the main villain is*
Fun tag game! Type in your top three favorite characters’ names and click the first result that’s not just their name.
Turns out I say “shit” too much.
Brooklyn 99 meets Marvel ft. Clint Barton as the middle man.
for @isjustprogressmore Clint Barton gifs /// more Jake Peralta gifs /// more Rosa Diaz gifs /// more Ray Holt gifs /// all gifs
oh god
Brooklyn Nine Nine and Marvel crossovers are like MY DREAM
PLEASE
Oh my GOD. PLEASE PLEASE
OK NO BUT IMAGINE:
Captain Holt: Do you find your job consists of shepherding a variety of eccentric toddlers in the vague direction of justice?
Nick Fury: HELL yes.
Captain Holt: Then it’s agreed: our teams should never socialise. Pure policework, nothing else.
Nick Fury: [peering through a crack in the blinds as Jake takes a selfie with Hawkeye] That might prove difficult.
–
Rosa: So. Spill. What’s the coolest thing you ever used to kill a guy?
Black Widow: Well, this one time in Moscow, I –
Captain Holt: THERE WILL BE NO COLLUDING IN MY PRECINCT!
–
Thor: My friend, it doesn’t matter the strength in your muscles, though I’ll grant that they’re impressive. Only the worthy can lift Mjolnir.
Terry: Oh, I’m worthy! You wanna know how worthy I am? Hitchcock and Scully stole my last mango yoghurt, and I haven’t beaten them to death with a chair leg!
–
Amy: Not to alarm anyone, but I think Gina just dragged Tony Stark into a supply closet.
Rosa: Nice.
Captain Holt: Oh dear god in Heaven.
Nick Fury: Gina is… your secretary?
Captain Holt: Ostensibly, yes.
Nick Fury: The one who called me Eyepatch when we first came in, then asked if I’d ever considered managing a dance troop?
Captain Holt: That would be the one.
Nick Fury [stares at supply closet]: Assuming they make it out alive, I’ll trade you him for her.
Captain Holt: Back off, Eyepatch.
Nick Fury: Worth a shot.
–
Bruce: So, uh. You work here?
Amy: Yes.
Bruce: Voluntarily?
Amy: Yes.
Bruce [gesturing at the chaos of the precinct]: Like this?
Amy [sighing]: Yes.
Bruce: I know exactly what you mean.
Jake, yelling from off: HEY AMY, I JUST CHALLENGED THOR TO A JIMMY JABS LIGHTNING ROUND! WANNA COME CHEER ME ON?
Amy: Oh god.
Jake, still off: LIGHTNING ROUND, GET IT? BECAUSE HE’S THE GOD OF THUNDER?
Bruce: You, uh. Said something about some new binders?
Amy: Come this way. Walk fast, and don’t make eye contact.
–
Boyle [talking animatedly]: – and that’s my second favourite recipe for pannacotta, although I gotta say, sometimes it’s only my third because – are you sure you wanna hear this?
Hawkeye [with his hearing aids out, nodding cheerfully]: Please, continue!
It’s often been remarked that Spider-Man’s schtick wouldn’t work nearly so well if he didn’t live in a town with so many tall buildings, but consider: how well would Batman’s “I am the night” routine work if he was operating out of a normal city where people actually live, rather than a perpetually twilit urban hellscape that looks like the Art Deco movement had a one-night stand with Soviet Brutalism in a wrought-iron-and-gargoyle factory?
That is my favorite description of the Batman aesthetic ever.
look, fandom as a whole certainly has its own built-in biases and problems that need to be addressed
but like
every so often i think about all of the deep, nurturing lifelong friendships that only ever happened because one day two internet strangers were like ‘oh hey, we agree on which fictional characters should kiss!’
people who are right now helping each other survive via connections they initially forged by liking the same sailor moon girl or something
the internet is a goddamn garbage pit but it is also a goddamn miracle
From Neill Cameron’s Twitter:
- I was working recently with a bunch of kids who kept tearing up their own drawings in frustration, so I did something I’ve not done before.
- I talked honestly to a classroom full of children about how much I hate my own drawing.
- Okay, not the full extent. These kids ain’t ready to hear that. But that I do.
- They were kind of appalled, and horrified and fascinated, but anyway, they stopped tearing up their drawings.
- As I attempted to explain it — and many of you reading this will know already — when you make a drawing, there are two versions of it.
- There’s the version that exists in your head, and then there’s the version that ends up on paper.
- And because you can see both versions, you can’t help but compare them, and feel frustrated by the difference.
- But here’s the thing, and I think it’s easy to forget this: no-one else can see that first version.
- They can’t judge against it. They can only see, and judge, the version that exists on paper.
- And you know what, this sounds crazy, but they might actually like it for what it is. They might think it’s cool that you made it.
- I mean, holy god, if you guys could see the version of Mega Robo Bros that exists in my head.
- Your eyeballs would melt and your heart be burned away by sheer divine fire of amazingness.
- But the differences between that version and what’s on the page are only visible to me, and shouldn’t — can’t — matter to anyone else.
- If a draing goes a bit wrong, ah well. Look at it, learn, try and make the next one better.
- Or, possibly even better: abandon false objective notions of quality altogether and just enjoy the process, the activity, of making a thing.
- Not quite how I phrased it to the Year5s, but hopefully you get the idea.
- IN SUMMARY: be kinder to your drawings, and yourselves. I know, it’s hard. But try.
(Though this was written by a visual artist, the advice is applicable across creative disciplines – be kind to yourselves and to your stories!)














