And I know Iâve already posted this but Iâm just shook of how alike they areâŚ..
Not only psychologically but physically too.
And I know that Aizawa is only 30âŚâŚâŚ. But I just love these two. Â
They have so much in common and I seriously want Aizawa to become at least his mentor ( Like All might with Midoriya )
let me dream
Tumblr agrees with me.
Alright alrightâŚâŚ.. My last clueâŚ
Guess who rub their neck too?
And they have a mutual love of cats? Hah hah. Could be an older sister in the Aizawa family. That would also explain the different surnames. And then he can be weird Uncle Shouta.
Browsing Reddit, I came across an extremely effective post about why some creatives respond very poorly to criticism, or even for those of us who respond well, why it can feel like an attack even though in your head you know it isnât.
Criticism creates a mental conflict, but not always that kind.
Imagine if you wrote a final essay for your literature class, really
did your best on it, turned it in, and the teacher gave it 100%. Elated,
you take it home to show it off to your dad. Your dad says âYou got a
D? You really should have tried harder.â You think WTF, you squint at
the paper and youâre pretty damn sure it says 100%, A+, Good work. But
your dad says âNo, it clearly says 63%, D-, disappointing.â Then you
start to realize youâre living in some kind of warped reality where your
dad sees something on the paper completely different than what you see,
and you start wondering if you even know whatâs real anymore.
This is what it feels like to get a criticism. It casts into doubt
your own definition of âgoodâ which is probably the basis of your entire
creative process. Itâs not even an issue of admitting weakness.
Admitting weakness is easy. Whatâs not easy is having your instincts
cast into doubt and not knowing whether to trust  yourself anymore.
Do I trust this critic?
Do I trust myself? Some combination of the
two?
Do I stand by my decisions or not?
Do I make changes even though I
donât understand how they will help?
Will the changes completely
undermine the artistic vision I wanted for this?
Will it defeat the
whole point I was going for?
I canât feel the emotional reasoning behind
making changes, so how will I know if my change is for the better or
worse?
Is the critic just not the right audience for this? Is the critic
biased? Is the critic just having a bad day?
Should I ignore them
altogether, and just keep doing this for the people who like it?
Are my
fans wrong and simpleminded?
Am I even doing anything of significance?
Should I give up here?
These are all questions which artists ask
themselves when they receive criticism. Theyâre tricky, ambiguous
questions that donât always have a correct answer. Many newcomers donât
even know how to approach these questions, so criticism can often feel
like a personal attack even if both sides mean well.
Thatâs not to say that criticism itself is bad, but if you get a
better idea of what a criticism is doing psychologically to the
receiver, you might find yourself offering more effective, well-received
advice.
This ties in pretty closely to the advice I often give on this very blog, about how to deal with negative feedback; above all, trying not to dwell on it. Before you give any response, always take time to calm down.
This is a pretty universal problem that affects all creatives across all media. Youâd have to be as emotionless as a stone to not fall prey to it occasionally.
Part of being a writer is building up creative confidence. This is the faith in yourself to be able to write something and put it out into the world, and to know, deep down, that this work has value, to you and to your audience.
You may, later, discover that this work isnât all that good, but that doesnât matter. What matters is that it was a stepping stone to the person you are now, and the work youâre producing today.
Whenever you create a piece of work, make sure you internalise why you made that work. What it meant to you. It doesnât matter if that work was a prize-winning literary novel or a scrawling of Vegeta from DBZ drawn in pencil on lined paper. If the work expresses something you canât contain, something you have to get down on paper, over time youâll develop the creative confidence to accept that even if itâs âbadâ, that isnât whatâs important. The end result isnât as important as the work itself.
Creative Confidence isnât something you just develop overnight. It takes work. Itâll probably take a few embarrassing moments too, and those will be the hurtful types thatâll lead to âarguments you win in the showerâ 5 years later. It takes different durations for different people. However, if you work at it, itâs something I believe is within the reach of everyone.
Find your Creative Confidence; Iâm sure you can.