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the gorgeous and the grotesque

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goodluckdetective:

No seriously guys, comment on peoples fic.

Writers as desperate for comments. Desperate. 

I’m in a writing group with around 40 people and one of the common reasons people don’t post their work is because “no one ever comments on it, so no one is reading it” which blows because their work is amazing and instead it’s sitting in storage.

Comments lead to posting more fic. Trust me. 

Hatsume Mei should make Tensei a jet powered wheelchair. I kinda feel like she owes the Iida’s after that stunt with Tenya at the sports festival. Plus? That’s good advertising!

Or he could get a sweet floating one like Professor X.

What I’m saying is, he can still be a hero.

alogicals:

listen, there is absolutely nothing that gets me going like mutual seemingly unrequited pining like? i live for both people losing their minds over the other person in bitter silence. savoring every single accidental brush of their fingers, elbows, thighs, every stray glance, memorizing every gesture or expression they catch while the other isn’t looking, all while being absolutely convinced that it’s one-sided only to finally!! finally find out it wasn’t in a triumphant moment of bliss after years and years of delicious, soul-rending, torturous, heart-wrenching pining. i literally don’t care about the fact that this trope is predictable af and always plays out the same way i will still go wild over it every single time like they’ll be doing the same reveal scene i have seen a million times and i’m still on the edge of my seat gasping “are they gonna kiss???”

lvtvr:

the following are concepts that i quickly learned my way around when growing up in fandom, but that seem to have fallen out of use recently. i’d like to propose a revival of…

  • NOTP: a pairing that, for whatever reason, you simply cannot stand. it can be because the ship repulses you morally, or because you hate one of the characters, or love them both but despise their dynamic – or just because looking at it makes you uncomfortable, for whatever reason.
    • different from labeling something a “bad ship” in that it implies an entirely personal preference.
    • calling a ship your NOTP informs others that you really, really, REALLY dislike it, while also acknowledging that you don’t know what other people’s reasons are for shipping it, or what interpretations they may have that makes it work for them.
    • a cool way of avoiding stuff you hate while also not morally condemning thousands of complete strangers for liking it.
  • squick: similar to notp, but goes for anything, not just romantic pairings. something you just don’t like, either for specific reasons or just because it irrationally repulses you.
    • not as severe as a trigger in the sense that it doesn’t cause any extreme and potentially harmful reactions – it’s just something you’d rather not see, because it grosses you the fuck out. and that’s okay. 
    • decent people respect other people’s squicks, while also remembering it’s cool for other people to like things they personally are squicked by.
    • this works as long as everyone agrees not to be dicks and shove stuff in people’s faces in unwarranted ways.
  • crackship: a ship that just doesn’t make any sense. there’s absolutely no chance that these characters would ever end up together.
    • perhaps they’ve never interacted. perhaps they are on opposite sides of a war. perhaps one of them died a thousand years ago. for whatever reason, there’s zero possibility of this becoming canon. 
    • still, you’d like to see how they’d romantically mesh, to explore their dynamic or a what-if scenario – or maybe they’re just two characters you really like to imagine smooching one another.
    • the fact that it isn’t and never will be canon doesn’t matter, and can even be part of the appeal. it certainly does not invalidate the ship’s existence. the ultimate form of doing something just for fun.

these words all help describe the cool concept of doing stuff you enjoy, while also realizing others may be doing things you hate, but not in order to victimize you personally. live and let live! give people the benefit of the doubt! it’s a good time. we should all try it.

deafmic:

OH BOY

okay, let’s talk a little about foil character in writing. foil characters are characters who commonly display opposite traits to another character they are closely tied with. it’s a common misconception that foil characters are always the rival to the character they foil and that they have to be opposite in every way–neither of these are true. it’s actually fairly common for a foil character to be set up as the character’s best friend and contrast only the traits the author wants to highlight in that character. i like talking about foil characters a lot because i feel as though they are very good in narratives when written correctly. 

like i said in that one ask, mic and aizawa read like foils to each other to me. or more, mic is a foil to aizawa, since aizawa is far more of a main character than he is. 

let’s start here–there was a post going around about how hizashi and aizawa’s hero names are pretty much opposites of each other, with erasing something being the opposite of presenting something and a headphone being the opposite of a microphone. that’s a good place to start, because those names are:

1. something that defines them, their careers, an who they are as people

2. fundamental to their relationship and their interconnectedness as characters, given that mic gave aizawa the hero name that he’s kept for 15 years and counting and the name that he operates his entire career under. mic essentially gave him part of his identity, and the name itself is pretty much the opposite of mic’s.

going a bit further, aizawa is characterized as not caring about appearances, introverted, and relying far more on technique than words when fighting/acting. mic is the opposite in every way, with his characterization being primarily very extroverted, obviously putting care in his appearance (i will never forgive him for That Hair), spending most of his career in the public eye, and literally using words to speak. mic is characterized as a person who pretty much never stops talking, while aizawa is much quieter and seems to pick and choose more when to speak. similarly, mic is much more visible about his emotions, whereas i think aizawa would rather die than admit he actually has feelings. mic is always moving, whereas aizawa relies a lot on stealth and being still. mic has neverending energy, aizawa can often be seen in the background asleep or just generally very lethargic. i could go on, but you get the point here for the most part. 

also, their designs are opposite of each other, too. i realize that both mic and aizawa wear all black, but you cannot tell me that the thing that sticks out with mic’s design isn’t his hair. it is literally the first thing people notice. the fucking cockatoo hair. and it’s bright fucking yellow. the closest to the opposite of black you can get without going for white. because of this, people assign bright yellow and bright colors as mic’s coloring, whereas with aizawa, everything is just black. dude literally does not wear any color (unless you count his goggles, in which case, bright yellow. literally the same color as mic.). going a step forward, mic obviously puts care into his appearance and has that weird 80′s aesthetic where all he wears is tight leather. meanwhile, we have aizawa, who wears a baggy enough jumpsuit that he could probably just wear a garbage bag instead and no one would be able to tell the difference. mic, who seems to meticulously care for his appearance, if that hair and weird mustache says anything, and aizawa, who looks like he hasn’t had a haircut or seen a razor in 14 years.

then we get to the whole style thing. mic lives his life in the spotlight. dude is a radio (and also television, maybe?) star who is well known, the head of a department, and a well-known pro hero. aizawa, on the other hand, very specifically stays out of the spotlight and works in the underground and acts like he is in actual, physical pain every time he has to talk to the press. with their fighting styles, aizawa is far more passive and would be categorized as either a support or a defense hero, since his quirk is purely non-physical. his gimmick is stealth. however, mic is completely offensive. even in the final exams, mic didn’t even chase the kids down. he literally just stood at the entrance and screamed, while aizawa has to get the drop on his opponents to attack them and usually has to be the first to attack.

speaking of quirks, i made a post a while ago about this, but mic’s quirk absolutely does not have many counters. the best thing mic has to a counter is aizawa’s erasure. mic is insanely powerful and knows how to control his quirk and would’ve easily won the final exam battle had it not been for his fear of bugs. i mean, when aizawa got hurt at usj, he easily leveled a bunch of villains with a single attack. countering mic’s quirk is very hard since he has so much control over it, and really the only counter he has in canon is aizawa right now. which, is pretty significant when you consider that these two are pretty interconnected. 

so yeah, i do really think mic is a foil to aizawa. mic usually doesn’t show up by himself in the manga or the anime–aizawa is usually somewhere to be found either directly or indirectly in the scenes he’s in. mic is used to highlight a lot of aizawa’s quiet nature, especially since these are the first two veteran teachers we see in the series–aizawa, who’s quiet and strict, and mic, who’s loud and pretty friendly. i think mic is set up to be his foil and i hope their relationship is expanded upon more in the future, since i personally think it’s one that’s important to aizawa’s character.